Vol. 13 No. 20 (2025): 1st Performing Arts Congress: Viewing the Stage Through a Political, Social, and Cultural Lens

View Vol. 13 No. 20 (2025): 1st Performing Arts Congress: Viewing the Stage Through a Political, Social, and Cultural Lens

Published: 2025-12-01

Editorial

Editorial

Miriam del Valle Corzi, Nicolás Perrone

2-8
- PDF (Spanish)

Artículos

Representation of homosexuality and sociopolitical representation contexts. From punishment to validation and from validation to resistance

Gerardo Camilletti

9-26
- PDF (Spanish)
Power relations and emotionality a study of Nora Helmer's body

Belén Victoria Páez

27-43
- PDF (Spanish)
Formas ficcionales y transformaciones reales la performatividad en el teatro de obcaenum

Guadalupe Suárez Jofré, Facundo Cersósimo

44-65
- PDF (Spanish)
If I am a rebel, then we are. Debasement techniques and survival practices during the last military dictatorship in Argentina

Miriam del Valle Corzi

66-82
- PDF (Spanish)
The construction of the group “Nosotros” in José Guardiola Plubins’ radio drama “La angustia de vivir” (1959)

Anabel Ledesma

83-109
- PDF (Spanish)
A look at Judith Butler's gender performativity Transferring her thinking to transfeminism in Argentina. The theater scene as a reflection of issues surrounding gender identities

Fernando Ricardo Ávila Ruarte

110-130
- PDF (Spanish)

Ensayos

Unconventional Professions drift Exercises and Neighborhoods, Transdisciplinary Methodologies in Artistic Creation

Cecilia Priotto, Florencia Stalldecker

131-141
- PDF (Spanish)
Cuando el teatro toca lo real potencias de lo irrepresentable

Nicolás Perrone

142-154
- PDF (Spanish)
The characters of Antonio Gasalla: Stage Gestures in Light of Critical Studies on Masculinities

Leonardo Huici Capra

155-169
- PDF (Spanish)
The power dynamics involved in language Gender roles as reflected in the nouns and adjectives in the plays Casa de Muñecas by Henrik Ibsen, Querido Ibsen, Soy Nora by Griselda Gambaro, and Imágenes de una Puerta que se Cierra, written by students at the Universidad Nacional de La Rioja

Macarena del Rosario Gandur Lencinas

170-180
- PDF (Spanish)
Political Theater an Analysis of Two Creative Processes by the Group Investigación de Procesos Creativos en Artes del Espectáculo (IPROCAE)

Martín Rosso

181-193
- PDF (Spanish)
Convidar la calle

Luciana Maltez, Julia Giraudo

194-208
- PDF (Spanish)
The mutable body: interdisciplinary creation, roles, and possible spaces within an independent performance research thesis process in La Rioja

María Elena Ríos

208-220
- PDF (Spanish)
Toward a free body. An analysis of the body on stage from the perspective of body semiotics

Josefina Yuliana Bordón Arruda

221-230
- PDF (Spanish)

Sistematizaciones

The cycle of talks on training the voice of the performing artist, Manifesting the Subtle, as input for classroom activities

Rubén Darío Maidana

231-245
- PDF (Spanish)