Et facta est lux. Convergences and Tensions in the Use of Language in Walter Benjamin and the Narrativist Historiographical Positions of the Mid-Twentieth Century

Authors

  • Matías Ignacio Rumilla Mercado Universidad Nacional de La Rioja

Keywords:

History, historiography, Benjamin, Narrativism, White

Abstract

The past appears as a complex field filled with interpretations and meanings that compel us to analyze its forms and approaches. This article proposes a rereading of the source text On Language as Such and on the Language of Man (2008 [1916]) by the German philosopher Walter Benjamin, in order to examine the uses and functions he attributes to language and, at the same time, to compare his fundamental notions with the theoretical and historiographical elaborations of narrativism. The starting point is a shared critique of historiographical positivism, emphasizing that history cannot be presented as a neutral reflection of facts but rather as a discursive construction shaped by narrative forms, rhetorical decisions, and cultural frameworks. Narrativism, represented by authors such as Hayden White, Frank Ankersmit, and Paul Ricoeur, argues that historical narratives possess aesthetic and rhetorical dimensions that bring them closer to literature, thus questioning the supposed objectivity of the historian’s craft. The convergences and tensions between both perspectives make it possible to rethink the relationship between language, past, and present through unconventional approaches, enabling new readings of the historical discipline and its object of study.

Author Biography

Matías Ignacio Rumilla Mercado, Universidad Nacional de La Rioja

Profesor y Licenciado en Historia por Universidad Nacional de La Rioja (UNLaR) Argentina. Se desempeña como docente en la Tecnicatura Universitaria en Museología (UNLaR) y es Coordinador de la Tec. Universitaria en Bibliotecología (UNLaR). Miembro investigador del Instituto de Historia y Filosofía (UNLaR).

Published

2025-12-18

Issue

Section

ARTÍCULOS DE INVESTIGACIÓN O REVISIÓN TEÓRICA